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Anna Maria Stańczyk plays: C. Saint Saens, The Swan, Carnival of Animals
All music on this site is performed by:
Anna Maria Stańczyk
Anna Maria Stańczyk
International Fryderyk Chopin Piano Competition for Amateur Pianists
Competition - An exciting opportunity for Amateur Pianists
Anna Maria Stańczyk
Fryderyk Chopin monument
Park Łazienki
Park Łazienki
Birthplace of Fryderyk Chopin, Zelazowa Wola
Anna Maria Stańczyk is a pianist, whose eloquence and striking individualism are clearly enhanced through her music. She creates a highly powerful paradox in her style of playing, emphasising the delicacy and subtlety, while maintaining superb control and a boisterous quality to her music. Her outstanding talent and eminent presentation captures the hearts of many audiences all over the world.
Anna Maria has performed in: Europe, Asia, and Central and North America. She has played in major concert halls including: the, “Philharmonic Hall” Warsaw”, Van Leer Hall”, Jerusalem, “Philharmonic Hall”, Odessa, St. Lawrence Centre”, Toronto, Wigmore Hall, Queen Elizabeth Hall, Purcell Room, London and Carnegie Recital Hall, New York where she received the following review: ”Miss Stańczyk is a pianist with a genuine feel for the Romantic repertory. Her tone although heroic, is capable of a myriad shading subtleties, and she has the intelligence and sense of narrative structure, that is crucial to any reading of this music.” New York Times.
Anna Maria has performed in: Europe, Asia, and Central and North America. She has played in major concert halls including: the, “Philharmonic Hall” Warsaw”, Van Leer Hall”, Jerusalem, “Philharmonic Hall”, Odessa, St. Lawrence Centre”, Toronto, Wigmore Hall, Queen Elizabeth Hall, Purcell Room, London and Carnegie Recital Hall, New York where she received the following review: ”Miss Stańczyk is a pianist with a genuine feel for the Romantic repertory. Her tone although heroic, is capable of a myriad shading subtleties, and she has the intelligence and sense of narrative structure, that is crucial to any reading of this music.” New York Times.
Anna Maria Stanczyk
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